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We Shoot Photography Of The Day For 6/11/2018

Monday, June 11th, 2018

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Seattle Product Photography by We Shoot

Fluid Video Tripod Head and Quick-Release mounting plate.  This type of head is used to make smooth movements when panning and/or tilting a mounted video camera.  Drag on either movement is adjustable.  Seattle Product Photography by We Shoot.

Tags: adjustable, adjustment, drag, fluid, head, knob, level, mount, mounting, plate, ring, tripod, video
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We Shoot Photography Of The Day For 6/4/2018

Monday, June 4th, 2018

The Buzzing of the Saw

Raised with the buzz of the table saw in the garage of my youth, construction is in my blood.  I was cutting wood with the circular saw, pounding nails, and leveling ground for the foundation of buildings, alongside my Dad, as far back as I can remember.  Eventually, along with my hammer, nails, and plumb bob, a new item appeared in my work belt.  A camera.  And my transition from carpenter to photographer began.  Today, as a professional photographer, a construction photography gene flows through my veins as naturally as rain falls from the Western Washington skies.  So when We Shoot was booked for a construction progress shoot this past month, the underlying passion for shooting construction progress coursed again through my veins with the exuberance I felt as a kid working alongside my Dad.  Jumping up and down ecstatic!

Driving into Eastern Washington for the shoot, my mind wandered to the many construction progress shoots I’ve enjoyed throughout my career.  Construction graveyard-shift shooting at Santa Ana’s John Wayne Airport.  Pre-dawn shooting of shotcrete pneumatically sprayed onto the grounds of a construction site in Southern California’s Inland Empire.  Commercial video of roads being laid at UC Irvine.  And after far too long disconnected from construction progress shooting, our still and video cameras were beckoned by this two-day assignment shooting a cold-storage facility under construction east of the Cascades.  And, the excitement for this type of shooting was back!

Forty feet upward the scissor lift transported Gary, me, and the expert pipe welding crew.  Up to the roof overlooking the beautiful hills and flatlands of Eastern Washington.  Capturing the welders at their craft.  Filming the crew in action throughout the cold-storage plant.  Shooting the freezer construction in all its engineering majesty. Watching with enraptured eyes the rising of the walls of this new refrigeration facility, soon to be housing the fruit of the nearby farms.  Listening with eager ears to the buzz of the circular saws.  Oh, it feels great to be back home.

See Gary and me and a little construction in our short video below.

-Dione Benson

We Shoot

A short video from our last industrial construction shoot. Seattle Industrial Photography and Video by We Shoot.

Tags: construction, elevated, flash, industrial, photographer, photographs, photography, scissor lift, strobe, video, videographer
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We Shoot Video Of The Day For 2/5/2018

Monday, February 5th, 2018

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Seattle Video by We Shoot

Popcorn popped by an air popper. Seattle Video by We Shoot.

Tags: air, corn, food, healthy, popcorn, popped, popper, popping, snacks, video
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We Shoot Photography Of The Day For 1/16/2018

Sunday, January 14th, 2018

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Seattle Product Photography by We Shoot

A professional fluid video tripod head. Seattle Product Photography by We Shoot.

Tags: camcorder, fluid, head, massive, movement, pan, smooth, tilt, tripod, video, video recorder
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We Shoot Photography Of The Day For 3/15/2016

Tuesday, March 15th, 2016

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Macro image of SDHC cards for still and video cameras. Seattle Commercial Photography by We Shoot.

Seattle Commercial Photography by We Shoot

Tags: camera, cameras, card, cards, flash, GB, gigabytes, high capacity, images, memory, pictures, SD, SDHC, secure digital, slot, slots, still, stills, storage, video
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We Shoot Photography Of The Day For 10/13/2015

Tuesday, October 13th, 2015

Have you ever tried to video-record the screen of your smart phone in bright sunlight with another camera?

At We Shoot, we have created a way to simulate that.

Watch our sample YouTube video above!

Want to make your own clip like this with a video you captured?

Go to the green screen video clip we created at bit.ly/1hDjsPx and read the description to see how.

Tags: android, cell, cellular, iPhone, pan, phone, smart, video
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We Shoot Photography Of The Day For 8/4/2015

Tuesday, August 4th, 2015

Videos are about movement and interest.  Editing video is not just clipping and pasting

various clips together with (or without) transitions to tell your story.

An interesting video background can help you tell your video story!  Just watch some of

the news programs on TV and see how they use motion graphics to enhance their articles.

Check out the video background at full screen by clicking the box in the lower right hand

corner of the video!  Click the ESC key to come back to the blog.

Click here to find out how you can get this one for your video!

Tags: background, map, meter, motion graphics, news, revolving, rotation, spinning, video
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Your Business Video

Tuesday, June 2nd, 2015

If your website is 50% more likely to appear on the first page of search engine results if it includes video, would you say, “let’s buy a video camera?” or “let’s call a professional videographer?”  Since utilizing video for your website appears to be a sound business investment, either answer is good.  But, which one is better?

That depends upon your day-to-day priorities.  If you choose the former – buying a video camera (or using one you already have) – can you open up time in your day to create the layout, storyboard the shoot, set up lighting and camera equipment, do the shoot, conduct the interviews, edit the video (including researching music, creating graphics, transitions), and place the video on your website, YouTube, and other online sites?  If so, doing it yourself is the way to go.

So, before you do all of the above – and you definitely have the time – be sure you are confident the video will be just what you want from this personal endeavor.  Study the process fully, create the exact story you want to tell, and pick up that camera and shoot!  Or should I say, “experiment.”

Otherwise, consider the latter – calling a professional videographer.  Placing the process into the hands of a professional may well be the very best use of your time – and your budget.  Personal experimentation may be just that, an experiment.

###

Dione Benson

6.1.2015

Tags: advice, amateur, camcorder, edit, editing, editor, equipment, experiment, lighting, professional, storyboard, video, video camera, video production, videographer
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The Memory Card Reader From Hell!

Thursday, May 29th, 2014

Professional photographers and amateurs alike have many things in common in this digital age:  our cameras put the images we take on digital media, such as Compact Flash cards, SD cards, or similar devices.  Some of the different methods for extracting the information from these cards are to run a cable (usually USB) to the camera from the computer and we instruct the computer to copy, transfer, or import the images to the computer’s hard drive(s), or we take the digital media card out of the camera and place it in a reader that serves the same function.  Some of us have built-in slots in our desktop computers that will accommodate various kinds of cards.  My last two computers have had the slots built in.

I’m a professional photographer and videographer.  For many shoots, I go on location and have several Compact Flash cards that fit in my still cameras, and the images I shoot are stored on the CF cards awaiting transfer to my computer’s multiple hard drives.  Since I usually can’t reshoot the images, and there is much more security in the redundancy of having the files on different drives, I store my images on several external drives simultaneously.  Hard drives do fail.  There is no excuse for losing a client’s images.

The critical point, however, is that much can happen to the information on the cards during the transfer process.  Pulling a card out of a camera that is turned on can corrupt the card, as can pulling a card out of a reader during a copy phase.  So, I breathe easier once the images have been copied or imported to my first hard drive without a hitch.  Until I have the images on more than one hard drive, however, I keep the images on the card, as well, for backup in case something bad happens.

I recently got a wakeup call, and it was just by chance.  I had been using the CF card slot in my PC to copy files from the card to the computer.  I didn’t have a job for a little while and I had left the images from the last shoot on the card in the camera after first copying them to several drives on my computer.  I put the card back in my camera after copying it.  I usually copy to my main drive first, add keywords, my copyright, etc. to the meta data, and then copy all that to a couple more external drives for security.

About a week after I had copied the images on the card I had put back into the camera, I went to reset the camera’s settings for the most likely settings for my next shoot.  It showed I still had images on the card, so I hit the view button to see which images were on the card before deleting them, AND, HORRORS,  THEY LOOKED BADLY PIXELATED!  I looked at several of the images in the camera and most had this problem.  I hit the magnify button, and they looked sharp again, but when going back to the “fit on screen” image they again looked pixelated.  All I had done was to copy them to the hard drive on my computer.  The images that had been copied to the hard drive were in no way affected, but the card seemed to be corrupted.  That never happened before.

Luckily, I had already uploaded the finished job to the client the day before, so I knew that the images in the computer were not corrupted.

As a pro, I can’t leave anything to chance, so I had to find out whether the card was bad, the camera had a problem, or what had screwed up the images while the card was in the computer.

My first test was to shoot test images to see what was happening.  Once shot, I looked at each at the back of the camera.  They looked normal.  I turned off the camera, popped the card, and put it in the built-in PC reader.  I copied the files to a folder on my desktop, and made sure it was finished copying.  I removed the card from the PC.  I made a second folder on my desktop.  I then used Photoshop to view the images in the first folder on my desktop.  They looked OK.  I put the card back in the camera and turned the viewer on, and they were corrupted!  I took the card out of the camera again, and put it back in the PC and copied the same files to the second folder on my desktop.  I clicked on the first image in Photoshop and a dialog box popped up saying that Photoshop could not read the image format.  The card was corrupted.  Period.

I had an old external USB 2.0 card reader I used to use before having built-in slots, so I dusted it off and plugged it into an open USB slot on my computer.  I put the card in the camera again and formatted the card.  Again I took some test images.  I took the card out of the camera and put it in the external reader.  It took longer than the built-in reader, but there weren’t that many images.  They copied perfectly.  I took the card from the reader and put it back in the camera.  I turned on the viewer, and the pictures looked normal, not corrupted.  I shut off the camera and again removed the card.  I again copied the files to another folder on my desktop – they could be opened in Photoshop and looked normal.

I determined that the built-in reader in the PC was corrupting the images while copying.  I don’t know why: was it software, or hardware?  I determined that the best way around the problem was to not use the built-in slots again on this computer, but to bypass them.  I had lost faith in them.  However, the USB 2.0 external reader is incredibly slow.  I also use my readers for HD video on SDHC cards, and it takes forever to import video files.  So, I decided to buy a new USB 3.0 external reader.  I found one on B&H’s website for $14.95 (with no shipping) at http://bhpho.to/SVr845 .  I ordered it and tried it out with all my different media from different cameras.  It seems to work well, and it is blazing fast compared with USB 2.0.

The moral of the story is:  Don’t be complacent about your digital photography equipment.  Don’t assume all is well without checking it out occasionally.  I could have gotten a bad surprise if I hadn’t looked at my camera, and taken action.  Being a pro, you’ve got to be on your toes!

– Gary Silverstein

Tags: 2.0, 3.0, camera, card, CF, CF card, commercial photography, Compact Flash, corrupt, corrupting, corruption, drive, file, files, hard drive, image, memory card, PC, pixel, pixelated, professional, reader, SD, SDHC, still, stills, USB, video
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